Since its incorporation in 1973, Self Help Graphics & Arts has produced over 1,000 art print editions, including 54 Atelier projects and exhibitions all over the world. The organization remains dedicated to the production, interpretation and distribution of prints and other art media by Chicana/o and Latinx artists; and its multidisciplinary, intergenerational programs promote artistic excellence and empower community by providing access to working space, tools, training and beyond. Now, nearly a half century later, SHG continues to foster emerging Chicana/o and Latinx artists through its world-class printmaking studio and supports the role of artists as leaders, both within its organization and the community.
LORE Media + Arts founded by Robert Ramirez is a 15-year-old cultural and specials events production company. LORE, as well as our newly developing foundation, works with NPO’s, NGOs, private corporations, and government/ civic entities to facilitate opportunities for at-risk people in marginalized communities to connect with professional visual artists and community leaders, in order to create public visual arts-based events that promote positive cultural identity of Latino and Mesoamerican indigenous communities, and to empower participants via scholarships to pursue higher academic achievement, and to encourage civic and neighborhood community building through the arts.
Azteca Danza – Balam Mictlantecuhtli – The Aztec Dancers will be doing a Dia de los Muertos Ceremonial blessing of the four corners. North, South, East & West.
Tierra Blanca Arts Center– “Leyendas de Mèxico”
VIVA LA REVOLUCION HIJOS DE LA PELONA: La Mujer en la Revolución Mexicana! It’s celebrating the Revolution in Mexico and along with this celebration we remember during DIA DE MUERTOS the great women in the Mexican Revolution!
We are TBAC, a nonprofit organization dedicated to bringing the art of music, dance and theater to the greater Los Angeles area. Serving the community since 2003, TBAC was founded under the firm conviction that arts and culture have the power to break down the invisible barriers that often keep our multicultural community from truly living in harmony. Our mission is to instill in our community a sense of pride, identity and unity.
TBAC continually works to expand its services by supporting a variety of cultural events year-round. Our performers have showcased their talent in venues such as The Orpheum, The Montalban Theatre, The Downey Theatre, The New LATC and Los Angeles Theater.
Our vision is to reach a greater, more diverse audience. While our focus is Latin American folk dance, we are committed to celebrating Los Angeles’ rich diversity by engaging with like-minded organizations in order to raise cultural awareness.
“For over two decades, Quetzal has been getting down with movements fighting oppression in Los Angeles, Seattle, Havana, Veracruz and beyond. An East LA Chican@ rock group, Quetzal has a unique musical sound based on the incorporation of traditional son jarocho, Cuban batá, funk, Chicano rock, soul, and rhythm and blues. Quetzal’s music is a radical sound project of our times, a project based in artivism (art + activism), and feminist praxis.Since 1993, their sound project has archived their political activism from Los Angeles to Veracruz to Palestine.Their latest album “The Eternal Get Down” (Smithsonian Folkways) extends this project, bringing together a range of instruments to give voice to struggles of resistance, including: the Hammond B3, a core instrument in Black gospel and R&B music; the various instrument of son jarocho, including the jarana, the leona, therequinto jarocho and tarima, percussion instruments such as the Cuban batá drums, chekere, the marimbol, violins, and the moog synthesizer. The instruments do more than produce sound — they channel histories, prayers, lessons, and voices with stories to tell.”(Deb Vargas).
On October 27th, The Quetzal Quartet featuring Juan Perez (bass), Tylana Enomoto (Violin, voice), Quetzal Flores (Jarana, voice), Martha Gonzalez (Vocals, percussion) will bring an intimate sound to the stage in honor of the ancestors.
Grandeza Mexicana Folk Ballet Company (GMFBC) was founded by Jose Vences in September 2003. Currently, Grandeza Mexicana Folk Ballet Company has over 30 dancers and is a non-profit performing arts organization. The company was formed to advance the field of Mexican folk ballet, enhance the public’s appreciation for the diversity and depth of Mexican culture, and to present high-quality dance productions.
With signature pride in the rich national culture, Grandeza Mexicana Folk Ballet Company presents high-caliber dance productions that represent the diverse regions of Mexico. Whether choreographic works depict celebrations, ceremonies, or daily rituals, they are a colorful slice of the flavor of Mexico. Backed by careful research, GMFBC’s choreography is committed to preserving the traditions and customs of Mexico’s historic past and promising present.
Subsuelo is a global bass crew from Los Angeles that experiments with futuristic dance parties and old-school tropical music. Named “Best Eastside Club Night” by LA Weekly, Subsuelo started as a house party in Boyle Heights back in 2011 and evolved into a weekly gathering where friends get down to cumbia, hip-hop, salsa, house, reggaeton, dancehall, baile funk, kuduro and all kinds of new weird global bass variations.
Directly from the city of hope – Mexico City, Mexico – in the month of March, 2012, the six-man group EL CONJUNTO NUEVA OLA released its first musical production, an album that is sure to make history. A very unique musical collective, one that will revolutionize the recording industry. The first promotional single from their album is titled “CHIDO, CHIDO” (“Cool, cool”) a classic title in the history of tropical music, but one that here takes on a completely different vibe.
The group is comprised of lead singer Urbano López, guitarist Luzio Nava, bassist Primitivo Ríos, percussionist Hipólito Madero, El Tacho on timpani and El Raio Manzares on keyboards. Their mission is simple: bring flavor and get people to dance to the rhythm of cumbia, mixing new wave, rock and disco sounds into hits from various iconic groups like La Sonora Dinamita, to the late Chico Che & Rigo Tovar.
It’s true that Irene Diaz captivates every audience with her powerful, soulful voice and heartfelt lyrics. Irene has been playing music since she was 7 years old. Mastering piano and then guitar; but her greatest instrument is her voice. With no formal training, Irene found singing to come naturally to her. NPR’s Jasmine Garsd says, ‘You can’t fake the soul and Irene is so believable in her emotion.’ Her Kickstarter backed 2013 debut EP, “I Love You Madly”, showcased Diaz’s musical style and ability to crossover effortlessly into different genres of music ranging from Jazz to R&B to Folk. Over the years Diaz has pushed herself to evolve, combining looping keyboards and drum beats to go along with her shining, standout voice. With new music on the way we will still hear Ms Diaz stretching across genres. There will surely be something for everyone.
Ofelia Esparza, artist and educator born in 1932, still resides in East Los Angeles. Esparza has been associated with Self Help Graphics & Art for nearly 40 years, and is known for her Day of the Dead ofrendas/altars. It is at SHG where she learned and developed a body of work in printmaking, including monotype, etching, and serigraphs, and works in acrylics, graphite, and watercolor and mixed media. Her work reflects her spirituality and her Mexican indigenous heritage. She credits her mother for the influence in Ofelia’s appreciation for the spiritual beauty in the natural world and in the dignity of the people around her. A great portion of Esparza’s work honors womanhood. This is what inspires not only her ofrendas, but most of her art in all its diverse forms. Esparza considers herself a cultural facilitator as an educator and as an artist through the workshops, lectures, and the work she conducts at schools, colleges, and community venues. Most recently, she has been working within the community, with her daughter, Rosanna, conducting workshops for children and adults combining art, culture, and social activism as a vehicle toward wellness and personal empowerment.
In 2018, Esparza was named National Heritage Fellow by the National Endowment for the Arts. Esparza’s work can be found in numerous private and public collections, and has exhibited in and outside California museums and galleries, nationally, internationally, and the National Mexican Museum in Chicago, 2017. CSULA conferred Esparza with an honorary Doctorate Degree of Humane Letters, 2016 and is looked upon as a spiritual elder in her community.
On November 3rd at Grand Ave Arts All Access, Master altarista Ofelia Esparza and her daughter, altarista Rosanna Ahrens will teach an altar workshop about creating elements that go on an altar, using the existing altars, including the Community Altar as context. Participants will learn how to make paper flowers and paper picture frames as ofrendas, or offerings, to add to their own altar.
Indigital Productions/Jeniffer Sanchez
On November 3rd at Grand Ave Arts All Access, Danza Workshops will be led by Jeniffer Sanchez, Los Angeles-based artist, danzante, choreographer, director and producer who began studying and performing traditional Danza Azteca at 9 years old.
Benedigital aka Ben Encarnacion is a visionary mixed media artist from Los Angeles, CA. He channels powerful visions that transform into mirrors of our own expansion as a collective consciousness.
His mission is to share reminders of the light we hold within that enhance and elevate our reality.His otherworldly digital vision quest is a fusion of cosmic consciousness, mystical experiences and ancient revelations.Channeling his groundbreaking personal experiences by remixing painting and digital graphics.Embracing these practices, ideals and energy, Benedigital’s work is becoming a vital component in the global visionary arts movement and live painting community.
Cal State LA Multicultural Arts in LA Class
Dedicated to the people of Los Angeles
Celina Jacques – “Los Angelitos”
Dedicated to all the children.
Consuelo G. Flores
No me movía, estaba quieta, completamente quieta
Tenía miedo de que la navaja me entrara más y otra vez
Sabía que ya había llegado cerca de mi corazón
Ese corazón que estaba tan lleno de suerte.
El amor es trabajo y es difícil y algunas veces puede tragarte por completo.
El amor puede ser un animal que destroza tu consuelo.
El amor puede desafiar, hacer la vida imposible, hacer la vida improbable.
El amor puede ser una flor de papel destrozada por la lluvia.
El amor puede ser un retoño que se encaja al corazón, y crece tan grande, que sus raíces se apoderan y se lo traga.
El amor también puede envolverse alrededor de la espina dorsal, enderezando la vida
El amor puede llenar los pulmones tanto que cada respiración fuerte puede navegar un barco a través de los siete mares.
Veo el camino frente a mí y no sé a dónde va.
Me encojo y suspiro para reunir la fuerza y seguir adelante.
Arriesgo mi consuelo para una esperanza.
He vivido dolores, batallas y verdades mezcladas con esperanza y pérdida.
Quiero dar el siguiente paso, pero las huellas del pasado son demasiadas grandes.
No puedo llenarlas y tengo mis dudas.
Me quedo donde estoy y miro hacia un camino que no tiene destino.
Miro hacia atrás desde donde estoy y no veo pasado, ne siento atrapada en el presente.
Pero los veo y me veo en ustedes, en sus vidas, en sus cuerpos, en sus caras, en el amor eterno que los une.
Las huellas que veo enfrente están llenas de gracia fuerte y tierna.
Soy una mujer en una familia de mujeres fuertes, con lealtad, coraje y corazón.
El amor no tiene condiciones.
El amor no tiene ilusiones absudos.
El amor tal vez sea una respuesta para una vida llena, pero la pregunta siempre es diferente.
Y como ustedes, yo soy la pregunta y la respuesta.
East Los Angeles Womens Center – “They tried to bury us, they didn’t know we were seeds”
This altar is dedicated to our intergenerational healing, strength, survival and wisdom. They tried to wipe us out, they tried to break our spirit with rape and abuse, they tried to make us forget our traditions and they injected trauma into our veins. But here we are, we have survived, our traditions have survived, we heal ourselves and each other and our spirits continue to blossom. We are survivors, we are wise and we are healing.
Eric Scud Brenes
German Shepherd Rescue of OC – “Our Beloved Animals”
Honoring our best friends. Dia de los Muertos remembers our pets who gave us unconditional love and companionship. Animals that cross over the rainbow bridge and are at peace forever more.
goeastlos – “#InstaAltar”
La Catrina, the icon of Dia de los Muertos, journeys back from the dead as she pays tribute and honors forgotten stories of Los Angeles. Follow her on instagram (@goeastlos) to experience the duality of life and death as she explores East LA and beyond. This altar showcases her journey in addition to a collection of stories submitted online that pays tribute to the dead. If you would like a loved one to be honored at this altar, submit your photo on Instagram and hashtag #InstaAltar
Gloria Molina Grand Park – Staff Ancestral Altar
Guadalupe Homeless Project Proyecto Pastoral at Dolores Mission – “Prisioneros de la Injusticia”
“Porque aunque la jaula sea de Oro, no deja de ser prision….” Dedicated to the men and women who have left their home countries in search of a better life for their families, many times having to leave their families and children behind.
Haydee Jimenez – “Amor Eterno”
To our grandmothers who we love dearly can never be more than a thought away… for as long as there’s a memory they live in our hearts to stay.
Born in Mexico City in 1976, Heriberto Luna immigrated to the United States a year after. Of 6 children, he is the second to the youngest. Heriberto Luna comes from a colorful background. His grandfather was one of Mexican revolutionary Emiliano Zapata’s soldiers, and his father was in the Mexican army. His grandmother was a Mayan shaman, fluent in two indigenous languages.
Graduating from Franklin High School, in Los Angeles, Luna was surrounded by gangs but found his salvation at age 16 in the arts. At La Tierra de la Culebra, an urban art park in North East LA, he developed his skills as an earth sculptor and painter. Combined with his passion for performing Aztec dancing as both a dancer and a drummer, the artistic exposure gave him focus and strengthened his resolve to rise above the bad circumstances around him.
During 2002 and 2005 Luna apprentice on major mural projects with L. A’s most influential muralist team the East Los Streetscapers, and artist Paul Botello. Luna met Los Angeles artist Margaret Garcia and in 2002 he apprenticed with her and with New Mexico Master artist Pola Lopez
The result of all that hard work is clear, as Luna has exhibited in over 35 major Museums thus far, among them such prestigious locations as: The Santa Monica Museum of Art, The National Mexican Fine art Museum in Illinois and The Museum of History and Art in Ontario, California. Beyond that, Luna’s works have become part of major art collections at Arizona State University and in 2006 Los Angeles Mayor Antonio Villaraigosa presented him with an award of recognition for his accomplishments in the arts; Luna has also been awarded two artist-in-residence grants from the Los Angeles Cultural Affairs department.
As his art career continues to bloom, Luna remains dedicated to under privilege youths, he is currently teaching arts classes for Theatre of Hearts and serves as a mentor. Heriberto Luna’s success is measurable on many different levels yet what makes him most proud is seeing the young people that he has worked with turn to the community and become mentors themselves. Some have gone on to achieve gallery and museum showings as well.
Withal, Luna’s bold colors juxtaposed with ancient inspiration and strong commitment to the future of his community bring a powerful and profound statement to the art world and beyond.
Homeboy Industries – “Our Dead Are Never Dead To Us”
George Eliot once said, “Our Dead are never dead to us, until we have forgotten them.” Homeboy Industries offers sanctuary, transformation, kinship and community to those that have been forgotten in the margins. As we do for the living, we do for our dead. Your Homeboy Industries family will continue your memory in love, kinship, transformation, and community. May your journey home always be your sanctuary.
Jaime Zacarias – “Los Angeles”
Dedicated to the city.
Jamie Chavez “Storm Cloud”
Joan Zeta – “The One Time I Didn’t Get Another Chance/Cuando no tuve ora oportunidad”
The alter is dedicated to all the people who have died due to alcohol and drug addiction. Este altar està dedicado a todos las personas que han muerto debido a la adicción al alcohol y las drogas.
Jose Chaves “Chavez Art”
Justice for Cesar Rodriguez – “Cesar murdered by coos for a 1.75″
Las Fotos Project – “Honoring Our Migrant Mamas”
Las Fotos Project’s altar, Honoring Our Migrant Mamas, is a youth-led community memorial centering the resilience of women who have traveled across geographic and cultural borders in search of new possibilities. Featuring photographs of students with their migrant mothers and grandmothers, this altar invites the local community to share their own stories of migration through the eyes of their matriarchs. Participants are welcome to bring photographs, flowers, and other memorabilia to the altar over the course of the installation period.
Latino Equality Alliance – “Rest in Power / Descansen en Poder”
This altar is lovingly dedicated to honor Gabriel Fernandez (8 years old) and Anthony Avalos (10 years old), youth taken away much too soon due to family rejection. Let us honor them and remind ourselves that prejudice against the LGBTQ (Lesbian, Gay, Bisexual, Transgender and Queer) community exists. What can YOU do to end this violence? #LaFamiliaIsOut #UnconditionalLove #FamilyAcceptance #RestInPower Este altar está dedicado amorosamente honrando a Gabriel Fernández (8 años) y Anthony Avalos (10 años), jóvenes que fueron quitados demasiado pronto debido al rechazo familiar. Honrémoslos y recordemos que existen prejuicios contra la comunidad LGBTQ (Lesbiana, Gay, Bisexual, Transgénero y Queer). ¿Qué puedes hacer TÚ para acabar con esta violencia? #LaFamiliaIsOut #UnconditionalLove #FamilyAcceptance #RestInPower
Legacy LA – “Youth Justice”
Our participants and staff would like to honor la memoria of all youth who fight for justice. Both those who has lost their lives for justice, and honoring those who are still fighting for justice for community visibility, inclusivity, accountability, acknowledgement, knowledge, and identity. We don’t want to just highlight injustice that our communities experience from police brutality, anti-immigrant sentiments-polices, but demonstrate the love that exist when we unity all brown and black communities of color.
Lucretia Torva is an artist/painter based in Phoenix, AZ — but she will travel anywhere to paint! She paint on canvas in oils and acrylics and I have acquired an addiction to painting murals! She was born in Peoria, IL. I grew up in Scotland and France because her Dad worked for Caterpillar Tractor Co. It was a great foundation for being an artist as she was able to see and experience some of the greatest art and architecture in the history of Western Art. Seems like she have been painting forever, yet it’s only been 30-some years. She received my MFA from the U. of Illinois in 1982.
LURN – “¡Cultivando Trabajo!”
Dedicado a todos los vendedores ambulantes de Los Ángeles.
Martha Carrillo (Heart On Arts) – “Y lo Bailado, quien me lo quita?”
To those we have loved & Lost. For those who know they watch over us & guide us. Que en paz descansen.
Michael Heralda has presented his culturally educational, musical, and interactive programs, to students and interested listeners of all ages throughout the U.S. since 1995.
Michael has recorded three CD’s that feature music, stories, poetry, and narratives – see MUSIC link for more information.
The stories, ballads, and narratives presented in this program are all true and based on documented accounts of what is termed the oral tradition – stories handed down through families, generation after generation.
Many handmade indigenous styled instruments are used and shared throughout the presentations – clay flutes, Huehuetl and Teponaztli drums, gourd water drums, shakers, rasps, conch shell trumpets, and many other unique instruments
all made from readily available materials giving the listener the understanding that musical instruments can be made from natural elements that surround you.
“Aztec Stories” is an intriguing and thought provoking way to learn about the culture of ancient Mexico and the indigenous Mexika (me-shee-ka)/Aztecs. For some it may be a way to reconnect to a wonderfully rich legacy that unfortunately lies dormant within them, buried for many, many years and generations. For others it may awaken a new understanding of a culture focused on the beauty, art, and high levels of sophisticated philosophical understanding that for many decades were ignored or suppressed.
My altar is dedicated to the hundreds of people that die due to cancer at the hands of systemic oppression.
ni Santas – “jaula de oro”
we want to honor children who go through the harsh challenges of crossing the border . we recognize the struggles children go though to find a better life only find themselves in the dangers of crossing the border ,ending up in ice detention centers and worse yet passing away all while making the journey to the Jaula De Oro (golden cage) a symbol for what seems to be the American dream for most immigrants
Ballet Folklorico Nueva Antequera was founded by Miriam Lopez and Raul Cortez to promote and spread the Oaxacan culture in LA.
Office of Supervisor Hilda L. Solis
Pacific Oaks College – “Celebrating All Families”
Celebrating different types of families from all backgrounds!
People For Mobility Justice – “People for Mobility Justice”
A space to celebrate love and dignity in transportation and public spaces
Raza Rider – “FALLEN MOTORCYCLES RIDERS”
Riders of all motorcycles that have been taken, as they now rider in the clouds.
Dario Guerrero, creator of the new documentary ROCIO, is an undocumented Harvard graduate. His story first received national attention in September 2014 when he published an essay in the Washington Post titled “I told Harvard I was an undocumented immigrant. They gave me a full scholarship.”
Following up on this story, a Telemundo news crew reached out to Dario and found him living in his grandmother’s home, some 3,000 miles away from school in the crime-ridden, massive slums of Nezahualcoyotl just outside Mexico City. Dario’s story again made national headlines, this time under the guise of “Harvard student took his dying mom to Mexico, now he’s not allowed to leave.” This is the subject matter of the present film. This is the story of ROCIO.
Dario also co-directed 2013’s A Dream Deferred with college roommate Alex Boota, a documentary following several undocumented Harvard students as they apply for Deferred Action for Childhood Arrivals. Funded by the Harvard Law Documentary Studio, it was a Regional Finalist in the Student Academy Awards.
South Central Farm – “La Procesiòn”
Our altar this year is dedicated to you, to us, to our community and to all who need to be reminded of where we came from. To all the land protectors who are fighting to protect our basic right to exist and live with justice and dignity. Whether you believe in the spirits or not, we all came from the earth. We all came from darkness. We all sprouted from a spark. A spark of love, a spark of light and with some warmth, with some sustenance, we blossomed to the beautiful beings we are today. The altar serves to reflect on the procession of life. How we rise and how we descend. And for those of who doubt we can come out from the darkness we may find ourselves in, look to the spirits and look to the earth to remind yourself that you too can resurrect. The altar is composed of earth elements ascending from the darkness. Seeds, water, blossoms and fruit follow the light out of the earth where they shall one day return, only to rise again re-nurtured, resilient, and reborn. “They Tried to Bury Us, But they Didn’t Know We Were Seeds”
SWANA-LA – “SWANA-LA”
Dedicated to our relatives in Yemen
Youth Justice Coalition – “We Are Not Targets”
The Youth Justice Coalition’s altar honors 851 people killed by law enforcement in LA County between 2000 and 2017. The Los Angeles Police Department and LA County Sheriff’s Department have – for many years – led the nation each year in use of force deaths. For the past 150 years, Los Angeles County has also led the nation in harsh policing, jailing and incarceration, and has established many of the policies on criminalization, suppression and deportation that have swept the nation and the world. Policies and procedures that came out of LA include the: (1) Militarization of police (first SWAT units, first use of helicopters, first use of army tanks against domestic populations, and build-up of the nation’s largest domestic arsenal of weaponry and surveillance technology; (2) Longest, most deadly and most costly history of community uprisings – all either attacks by law enforcement against civilian populations, or communities protesting police violence; (3) Political rise of Richard Nixon and creation of the “war on drugs;” (4) Political rise of Ronald Reagan, globalization, deindustrialization, and expansion of the war on drugs while also using drugs to fund and arm counter-revolutionary dictatorships in Central America; (5) Creation of world’s first “war on gangs” including the first gang databases, gang injunctions and gang definition; (6) Nation’s first anti-immigration policies; and (7) the Nation’s first school police departments, daytime curfew (truancy) laws, and first build up of a security culture in and around campuses that caused public schools to look and operate more like prisons, the first application of zero tolerance policies for student “discipline,” all of which led to the national creation of a school-to-jail-track that caused massive suspensions, expulsions and arrests of youth of color. We build our altar to remember all those impacted by these policies, that battled against this state violence for generations, that lost their lives behind the bullets of police, and those young people we buried too soon. Join the movement to STOP THE $3.5 BILLION L A JAIL PLAN, and fight for a just Los Angeles and California, and a future for our families and communities beyond incarceration or death. Contact us at: [email protected]; Facebook: Youth Justice Coalition; Instagram @youthjusticeLA